Yet Psycho remains Herrmann's most cutting-edge work, establishing an iconic shrieking strings motif which has become internationally recognisable as the quintessential sound of terror. Not the most easy listening score from composer Bernard Herrmann, whose career ranged from Citizen Kane to Taxi Driver, with key Hitchcock collaborations including Vertigo and North by Northwest. Apparently, if you start the album as the MGM lion roars thrice, side one is exactly the same length as the black and white section of the film, 'The Great Gig in the Sky' accompanies the tornado, and 'Brain Damage' replaces 'If I Only Had a Brain'. Pink Floyd's Dark Side of the Moon has long been alleged to provide an 'alternative' soundtrack, thanks to a number of 'coincidental' cross-matchings. Rumours that a stagehand can be seen committing suicide on screen as Dorothy trots down the Yellow Brick Road are baloney (it's a bird stretching its wings), but have simply added to the film's growing cult cache.
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Other recognisable hits from the movie include 'Follow the Yellow Brick Road', 'Ding Dong the Witch is Dead', and 'We're Off to See the Wizard', all of which have since passed into popular parlance, ensuring that everyone (not just Elton John) can call themselves a true friend of Dorothy.Įarly soundtrack fans had to make do with a Judy Garland 78rpm disc and a creaky Decca LP which featured key songs re-recorded by the Ken Darby Singers, but today's buyers can enjoy all the remastered originals, alongside outtakes like the 'Jitterbug' song. Covered by everyone from Gene Vincent to Kylie Minogue, it was No 1 in the Recording Industry Association of America's 'Songs of the Century'. Certainly a reprise of the song was trimmed from the final cut, but 'Rainbow' survived to become one of the most memorable anthems of the century. Legend has it that studio executives wanted to cut Judy Garland's 'Over the Rainbow' because it dragged out the downbeat Kansas opening. Fitting, then, that our number one contender is a cross-generic masterpiece (is it a jolly kids' singalong? A dark adult fairy tale? A subversive camp classic? Even a snuff movie?) which won Oscars for both original score (for Herbert Stothart) and best original song (Arlen and Harburg). So we'll be having none of this 'incidental scores only' snobbery in our list. Songs by Harold Arlen / EY Harburgįilm soundtracks are a broad church, encompassing classic orchestral scores and pop jukebox compilations, spoken word and sonic effects. I still can’t believe I had the luck to see it.Composer: Herbert Stothart. I went out and bought a Stratocaster like Dave Gilmour’s soon after. I was 16, wanting to be a rock star, and they actually talked about how they made their songs. I hadn’t known this period of Pink Floyd. We’d see anything in Oklahoma City to pass the time, and we were the only kids in the theatre, smoking a joint. I wouldn’t have known it existed if I hadn’t gone to see a terrible Don Johnson movie, A Boy and His Dog, in a double bill with my brother. Born in Pittsburgh in 1961, Coyne grew up in Oklahoma City, where he now lives with his wife and baby son. In 2005 he appeared in a documentary about the Flaming Lips called The Fearless Freaks, and three years later released his own sci-fi feature film, Christmas on Mars. The band has released 15 studio albums, including At War With the Mystics, which won two Grammy awards in 2006. Wayne Coyne is the lead singer of the Flaming Lips, which he founded in 1983.